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Philosophy of the Arts

Shoah

Representing the shoah—of course that is possible, depending on what you want from it.

Iconising the Holocaust

Perhaps, Claude Lanzmann, in his review of Spielberg’s Schindler’s List, assumes that representations of the Holocaust of necessity become iconic images, assuming, also, that some images shouldn’t be allowed to:…

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Representing a token of a type

“But how can he tell what the holocaust was, if he is telling the story of a German who saved 1300 jews, while the overwhelming majority of the jews was not saved? Even when he shows the moment of the deportation to the Cracau ghetto, or the camp officer shooting at the deported, how can he do justice, even then, to the normalcy of the procedure of murder, the machinery of the extermination? It did not go like that for everyone. In Treblinka, or in Auschwitz, the possibility of salvation was inconceivable.” (Lanzmann). … (read on)

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Lanzmann and Lang

Claude Lanzmann argued (a.o.) that the Shoah cannot be represented (photographically, I would want to add). He states this clearly in explaining what he would do had he found documentary…

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