Film
Narratives’ life lessons
One of the moral values of art appreciation (according to Eaton) is that it teaches us about narrative coherence, but:
- Is a human life coherent?
- When would one say of a human life that it is incoherent?
- In short: how exactly is artistic (narrative) coherence going to teach us a lesson about our lives?
In “Narrativizing the parochial” I argue that narratives are unnecessarily reductive.
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